Artist
Release Date
Genre
Mood
Themes
Vocal Era
Album
Written by
Kheops One feat. Ailyn Mondragon
February 1, 2021
Metal Ballad · Melodic Rock
Dark · Emotional · Desperate · Powerful · Hopeful
Love · Emotional Captivity · Despair · Hope · Searching for Freedom
The Ailyn Mondragon Era
Goran Vedriš - Josipa Tomola - Ivan Vrbicky - Mladen Lisak
Prisoner of Love is an emotional metal ballad by Kheops One featuring Ailyn Mondragon on vocals, released on February 1, 2021. Behind the finished rock recording lies an unusual musical history.
The composition originally existed as a Croatian spiritual song before Goran Vedriš transformed it into an English-language metal ballad. With permission from the original creators, the music was rearranged and given new English lyrics and an entirely different musical setting.
The result is a dark and emotional song about someone who feels trapped by love, broken dreams and memories, yet continues searching for something that can lead them out of the darkness.
At the centre of the song is one repeated plea: Set me free.
Unlike many Kheops One songs, Prisoner of Love did not begin as a rock composition.
Its origins lie in a spiritual song written in Croatian. Goran Vedriš saw the possibility of taking that existing musical foundation in a completely different direction. With permission from the original creators, the composition was reworked, rearranged and provided with English lyrics.
What emerged was no longer presented as a spiritual song. It had become a metal ballad.
That transformation makes Prisoner of Love particularly interesting within the Kheops One catalogue. Instead of simply recording an older Kheops One composition, an existing piece of music was given a fundamentally different identity. The spiritual origins weren't reproduced literally. They became the starting point for something new.
Changing the musical setting also changed how the composition communicates emotionally.
In Prisoner of Love, the music surrounds the lyrics with the intensity of a rock ballad. The narrator sounds emotionally exhausted. Life feels wasted, dreams have been broken and thoughts repeatedly return to the collapse of a relationship. But traces of the song's spiritual origins can perhaps still be recognized in its imagery.
There is darkness.
There is light.
There is falling to one's knees.
There is a plea to be helped back onto one's feet.
And above all, there is a repeated desire to be set free.
In the finished Kheops One song, however, that search for liberation is connected explicitly to love.
The narrator has become a: prisoner of love.
Here I am at the end of time
I am searching for a sign
Wasted life, broken dreams
Nothing's as it seems
And in my head I see our demise
Every time I close my eyes
Although I know I'm still alive
I wish I didn't survive
Set me free, in these times of tears
I've been falling on my knees
Set me free, help me stand again
Bring the light, lead me through the dark
Cause it seems I can't be found
Set me free, I'm a prisoner of love
Here I am, it's the end of time
and you're still not mine
Eyes like the sunlight beams
But nothing's as it seems
Goran Vedriš · Josipa Tomola ©
Prisoner of Love begins at an emotional low point. The narrator describes being at the "end of time", searching for a sign and looking back at broken dreams. Nothing appears to be what it once seemed. Even closing the eyes offers no escape, because memories and images of the relationship's demise remain inside the narrator's head. The language is deliberately dramatic.
This isn't ordinary disappointment after a relationship. The narrator feels psychologically trapped by it. And that explains the title.
Being a prisoner of love is the central metaphor of the song. Love would normally be associated with connection, happiness and freedom. Here it has become the opposite. The narrator cannot escape the emotional consequences of the relationship. Memories remain. The other person is still out of reach. And despite wanting freedom, the emotional attachment continues to hold the narrator captive. The prison therefore isn't a physical place. It is an emotional state. That makes the repeated request to be set free much more significant. The narrator isn't asking for a door to be opened. They are asking for a way to move on.
One of the strongest contrasts in Prisoner of Love is between darkness and light. The narrator has fallen and wants help standing again. There are tears and darkness, but also a request for someone or something to bring light and provide direction. That imagery gives the song another dimension. It isn't only about despair. Somewhere inside the despair remains the desire to escape from it. If there were no hope at all, there would be no reason to ask to be set free. The song therefore exists in the space between two emotional states: feeling trapped and wanting freedom.
Ailyn Mondragon's vocals are particularly important to Prisoner of Love because this is a song built around emotional intensity. The lyrics move between vulnerability and desperation, while the chorus requires a stronger expression of the narrator's desire to break free. That makes Prisoner of Love another distinctive recording from the Ailyn Mondragon era of Kheops One.
Where Sunshine uses Ailyn's voice for longing and hope, Prisoner of Love places her in a considerably darker emotional environment.
The contrast between the two songs also demonstrates something important about this period of Kheops One:
one vocalist does not mean one musical or emotional identity.
Each song tells its own story.
Prisoner of Love occupies an unusual place in the catalogue because its history began outside the normal Kheops One songwriting process. The transformation from Croatian spiritual song to English metal ballad means that the finished recording connects two very different musical ideas. The original composition provided the foundation.
Goran Vedriš's rearrangement and English-language reinterpretation moved it into the world of Kheops One. Ailyn Mondragon then provided the voice through which that new version reached listeners. The result isn't simply a translation of the original song. It is a musical reinterpretation.
Prisoner of Love was released as a standalone single featuring Ailyn Mondragon on February 1, 2021. The recording has a duration of 4 minutes and 40 seconds. It subsequently became part of the Kheops One album End of the Game, connecting its history as an individual single with the larger collection of recordings from this period of Kheops One.
That means Prisoner of Love belongs to both structures of the Kheops One catalogue:
The Ailyn Mondragon Era and The End of the Game album
while retaining its own identity and history as an individual release.
Listen or watch:
Prisoner of Love is a metal ballad by Kheops One featuring Ailyn Mondragon on vocals. It was released on February 1, 2021.
The vocals are performed by Ailyn Mondragon.
The composition originally existed as a spiritual song in Croatian. Goran Vedriš later transformed it into an English-language metal ballad, with permission from the original creators.
It is better described as a reinterpretation rather than simply a translation. The music was rearranged and new English lyrics were created for the Kheops One version.
The registered writers are Goran Vedriš, Josipa Tomola, Ivan Vrbicky and Mladen Lisak.
The song portrays someone emotionally trapped by love, broken dreams and the collapse of a relationship. The narrator wants to escape the pain and repeatedly asks to be set free.
It is a metaphor for emotional captivity. The narrator isn't physically imprisoned but feels unable to escape the feelings and memories connected to the relationship.
Darkness represents the narrator's emotional despair, while light represents hope, direction and the possibility of finding a way out.
The single was released on February 1, 2021.
The recording runs for approximately 4 minutes and 40 seconds.
Yes. The song also appears on the Kheops One album End of the Game.
It belongs to The Ailyn Mondragon Era.
Prisoner of Love demonstrates that the history of a song doesn't necessarily determine what that song eventually becomes. A Croatian spiritual composition became the foundation for an English metal ballad. A different arrangement created a different atmosphere. New lyrics created a different story. And Ailyn Mondragon's vocals helped give that reinterpretation its own identity within Kheops One.
Yet underneath that transformation, one idea remains particularly powerful:
the search for a way out of darkness.
In the Kheops One version, that search becomes deeply personal.
Trapped by love. Searching for light. Asking to be set free.